Voy a escribir estos versos como si fueran pilares
A punta de clavos, martillo y sierra
Para construir ataúdes que entierren al cuco
a la vieja culiah y a la hija de perra
Voy a buscar madera para hacer los cajones
No muy caros por varias razones
Primero;
Porque la felpa peluda hace cosquillas
La madera bruta es carcomida de gusanos
En el cementerio de piedras se ríen los cardos
Ay, que me voy a cagar de la risa
Me voy a reír caído de espaldas
Me voy a caer espalditas 'el loro
Apretándome la guata con las dos manoplas
El cajón de madera tiene las siguientes medidas
1 metro de largo
medio metro de ancho
45 centímetros de alto
mirado en perspectiva
parece un simple cajón de manzanas.
la madera debe ser de pino barato
color marrón
y con bastantes agujeros
(pa' que los gusanos salgan a vomitar c/vez que se acuerden)
que a la primera lluvia del invierno austral
se muelan con el barro y la humedad
Y al terminar el invierno
la tierra se destapará a sí misma
se revolcarán los gusanos y se cambiaran a crisálidas
escampar y quedara olor a tierra mojada
los ríos volverán a llevar piedras
el purgatorio al fin podrá dejar descansar
a las almas en pena que ya no tendrán pena
ni angustia ni pedirán misericordia
Todo el planeta será una vasta partusa
donde bailarán los cojos arriba de la mesa
Los ciegos cantores formaran una orquesta
Un marino borracho tocará acordeón
Las prostitutas avivarán la cueca
Los invitados de piedra sacaran a relucir sus pañuelos
Los más animados se pasearán altaneros
Con zapatos de charol
Una señora gorda invitará a los convidados
a servirse una cazuela de ave
el vino correrá como corría antes la lluvia
Al final de la fiesta entrarán las estrellas
Los carpinteros de ataúdes de pino
Que entrarán levantando el sombrero saludando a las masas
Que se apostarán por ambos lados del camino que estará lleno de banderas
La fiesta seguirá hasta altas horas de la mañana
Cuando cante el gallo apagarán las luces
Y se escucharan los gritos de los niños
Camino a la escuela.
Tuesday, September 04, 2007
Monday, September 03, 2007
EPITAH FOR SEPTEMBER

Here from the comfortableness of my life
Where all and nothing have a self-centered sense
Marginalization of the risks and the fears
I sing this sad and broken song
A song for the rivers of blood
A song for the unknown dead
A song for the missing bodies
A song for your tears
My tears and those I did not cry
The silence
What a loud silence amidst the rubble
What a smell is coming from the fires
Blood on the pavement
Papers floating in the street
And from the charred remains of life
An epitaph for September has come
Will you remember today?
Many years from now
Will you still cry or will the river of your tears be dried
When you breathe in the fresh air of September
And feel the soft cold breeze of spring
Will the flowers remind you of the broken parts?
The hunting of the almighty echoes of Jericho
The crucifixion of the thousand ones
Yes I remember today and I sing this sad broken song
For the dead of 11th September
1973
strong>
Tuesday, August 21, 2007
Tuesday, July 24, 2007
Monday, June 25, 2007
Para visitar nuestro centro Cultural en Auckland
AMig@s
Si tienen un poquito de tiempo , pueden visitar nuestro Centro Cultural COMMUNITY ART CENTRE ( ALAC Inc) de nuestra organizacion. Alli podran ver fotos de las actividades, ver algun documental producido por nosotros o tener algun link intersante.
Desde ya los dejo cordialmente invitados
Un abrazo
El Link es;
www.artcentrealacinc.com
DISFRUTENLO
Si tienen un poquito de tiempo , pueden visitar nuestro Centro Cultural COMMUNITY ART CENTRE ( ALAC Inc) de nuestra organizacion. Alli podran ver fotos de las actividades, ver algun documental producido por nosotros o tener algun link intersante.
Desde ya los dejo cordialmente invitados
Un abrazo
El Link es;
www.artcentrealacinc.com
DISFRUTENLO
Thursday, June 14, 2007
LEARNING
PROGRAMME OF LOVE

On the
on the
computerised landscape
computerised
your eyes
eyes
it's nothing more
than
two numbers
frozen
televised
inorganic.
With your silence
ELECTRONIC SILENCE
You and I
i
EYE
we communicate without
aerial
but by telepathic transmissions
when I see U
U
You
the microorganism of my fluids
steam up.
Meanwhile
the digital clok
goes
goes
goes
DISPARITIES

That evening in the rocks
a taste of spring and sex
Someone calls you
before I return
I hope they can save you
because I am coming.
There was a full moon
and you were so distant
from my arms
as it was allowed
by international standars.
But when you do understand
that from me
there is no escape
I am like a shadow
ill intentioned.
Fortunately
I never herad from you anymore
until I met your mother in the street
and she told me that
you were returning
I dont know I said
changing the subject.
Any similarity with reality
is purely coincidental
But never unexpected.
Wednesday, June 13, 2007
LETTER TO REMEMBER

LETTER TO REMEMBER
There is so much to take into account
so many things to consider
especially if you dream with flying penises.
You must open the windows of your mind
Play with your body
and let the long branches of yearning
find the nest of yourself.
Distance is like a hanging bridge
when behind are blue doves flying around
the house of your feelings.
I tell you, I speak to you, I talk to you in whispers
I threaten you
no one plays with me,
not even when someone says the last train
is only the first one.
I know that you have a thirsty tongue
a hungry tongue
an anxious tongue
I have find you after the ancient time,
the pale eye, the chloroform.
Do not let the roots growing in your legs frighten you.
Come, follow me, and climb over me without anybody's help.
Let me be your protection from celestial attacks.
Come
crucify yourself over me
give me the mark of these years
make the horizon a river that touches your body.
Let me sail through you
let me travel through the rivers produced by you,
the Amazons that is born in your ancestral uterus,
our common mother.
Let me be the crazy vessel
that falls into smiling cascades
There is so much to take into account
so many things to consider
especially if you dream with flying penises.
You must open the windows of your mind
Play with your body
and let the long branches of yearning
find the nest of yourself.
Distance is like a hanging bridge
when behind are blue doves flying around
the house of your feelings.
I tell you, I speak to you, I talk to you in whispers
I threaten you
no one plays with me,
not even when someone says the last train
is only the first one.
I know that you have a thirsty tongue
a hungry tongue
an anxious tongue
I have find you after the ancient time,
the pale eye, the chloroform.
Do not let the roots growing in your legs frighten you.
Come, follow me, and climb over me without anybody's help.
Let me be your protection from celestial attacks.
Come
crucify yourself over me
give me the mark of these years
make the horizon a river that touches your body.
Let me sail through you
let me travel through the rivers produced by you,
the Amazons that is born in your ancestral uterus,
our common mother.
Let me be the crazy vessel
that falls into smiling cascades
let me mark this instant.
Do not forget
do nnot forget me
dont let forgetfulness take hold of you
because it will betray you later.
Passion is an arrow shot
at the base of one's brain
an arrow thrown by a naked godness
full of orgasms
Let me add a final warning
dont pretend not to recognise me
the next time I see you
I will speak to you without a voice
I will tell you all without words
I will open you like a mad surgeon
and you, a ripe fruit
and I will eat you
enjoying all the fresh juices of you.
TU E SERVANT

DOMESTIC DECLARATION
(TU E SERVANT)
All revolution begins at home
for that reason it is
that now I impose a curfew
No one leaves without my permission
keep an eye that I don't hear you
talking with the neighbours
conspiring against me .
It is forbidden to mention the verb love
the verb care
the verb pain.
Everything has a dangerous overtone
I hope that i never see you looking at someone else
Only I am your only owner,
it is that clear?
(TU E SERVANT)
All revolution begins at home
for that reason it is
that now I impose a curfew
No one leaves without my permission
keep an eye that I don't hear you
talking with the neighbours
conspiring against me .
It is forbidden to mention the verb love
the verb care
the verb pain.
Everything has a dangerous overtone
I hope that i never see you looking at someone else
Only I am your only owner,
it is that clear?
from POEMS TO KILL THE POPE
MECHANISM
HOMICIDAL CUISINE

EXPLANATORY RECIPE FOR A COOKING POEM
The last scream was a shout in silence
which the cooks would not have heard
they were serving the flavours of spices and peppers
that they were shaking the pieces at random.
The kitchen was their last refuge
the last stop in that trip
while the soup was boiling among waters and colours
the celery and the tomatoe looked at each other.
Nobody took into account the possible suffering
of the chopped garlic cooked in oil
nor the horrible torture of the innocent onion
which was being chopped into rings.
No surely, are saying these sad cooks
fire is deadly and the air is serene
through these sincere and simple hands
the final destiny of the species goes
Don't complain nor accuse in vain
we are only fulfilling the sad role
nobody hates that individual garlic
it's only the force obligation of duty.
The last scream was a shout in silence
which the cooks would not have heard
they were serving the flavours of spices and peppers
that they were shaking the pieces at random.
The kitchen was their last refuge
the last stop in that trip
while the soup was boiling among waters and colours
the celery and the tomatoe looked at each other.
Nobody took into account the possible suffering
of the chopped garlic cooked in oil
nor the horrible torture of the innocent onion
which was being chopped into rings.
No surely, are saying these sad cooks
fire is deadly and the air is serene
through these sincere and simple hands
the final destiny of the species goes
Don't complain nor accuse in vain
we are only fulfilling the sad role
nobody hates that individual garlic
it's only the force obligation of duty.
IN DEFENCE OF BUSINESS

IN DEFENSE OF BUSINESS
He got his hands covered in blood
his chest covered in medals
and his conscience in injustices
but don't worry
in business we're all friends.
He planted dead children in our nightmares
increase nagging hunger in the stomach of the poor
but don't worry
in business we're all friends.
He filled the cages brimful
of corpses of the innocent
filled the heavens brimful
of the echoes of torture
insulted women
but don't worry
in business we're all friends.
Finally
he washed his hands put on the banner
presided at receptions
and read out speeches
because in business
him and us are friends.
He got his hands covered in blood
his chest covered in medals
and his conscience in injustices
but don't worry
in business we're all friends.
He planted dead children in our nightmares
increase nagging hunger in the stomach of the poor
but don't worry
in business we're all friends.
He filled the cages brimful
of corpses of the innocent
filled the heavens brimful
of the echoes of torture
insulted women
but don't worry
in business we're all friends.
Finally
he washed his hands put on the banner
presided at receptions
and read out speeches
because in business
him and us are friends.
A NIGHTMARE OF SMILES

A NIGHTMARE OF SMILES
I'm dreaming
that I smile with three jaws
that I greet you with three hands
that I submit to questions without answers
that, by watching the corn shaking in my plate
I can predict a tidal wave
in the mountain range.
I'm dreaming
that answers outnumber questions
and that with a mere five words
I can terrify the public.
I'm dreaming
that I smile with three jaws
that I greet you with three hands
that I submit to questions without answers
that, by watching the corn shaking in my plate
I can predict a tidal wave
in the mountain range.
I'm dreaming
that answers outnumber questions
and that with a mere five words
I can terrify the public.
BEHAVIOUR

BEHAVIOUR
They are all speaking, announcing, proclaiming, scaring,
predicting, chasing, seeking, worrying,
yearning, sounding, commercialising, selling,
exchanging, charging, buying, exploiting, working,
ordering, believing, following, doing, planting,
harvesting, looking, feeling, touching, smelling,
foreboding, imagining, exaggerating, promising,
idealizing, fearing ,loving, hating, guessing, supposing and hoping.
And when the bomb falls, it will
smash, shatter, annihilate, destroy, overwhelm, atomise,
disintegrate, grind, pulverise, fragment, shrink, diminish,
minimise, flatten, burn, carbonise, smoulder, kill, eliminate,
assassinate, end, forbid.
That's why I prefer to
fight it, struggle against it,
and attack it to death.
They are all speaking, announcing, proclaiming, scaring,
predicting, chasing, seeking, worrying,
yearning, sounding, commercialising, selling,
exchanging, charging, buying, exploiting, working,
ordering, believing, following, doing, planting,
harvesting, looking, feeling, touching, smelling,
foreboding, imagining, exaggerating, promising,
idealizing, fearing ,loving, hating, guessing, supposing and hoping.
And when the bomb falls, it will
smash, shatter, annihilate, destroy, overwhelm, atomise,
disintegrate, grind, pulverise, fragment, shrink, diminish,
minimise, flatten, burn, carbonise, smoulder, kill, eliminate,
assassinate, end, forbid.
That's why I prefer to
fight it, struggle against it,
and attack it to death.
HUMBLE PRAYER

BELOVED FATHER
Almighty god of the coca cola
distributor of market economy
creator of plots and coup d'etat
maker of fashion and segregation
great godfather of the mafia
upholder of the empire of the dollar
please listen
to our humble proletarian prayer.
Leave aside your nuclear projects
do not threaten us with your bombs,
do not drop your bomb on us,
don not let them sail across the seas,
do not invade countries,
do not distribute poverty
do not start wars
do not unleash the end of everything.
Sovereign to Superman and the CIA
god to the generals and the rich
master of the democratic paradise
be kind enough to order your own death.
Censorship

Censorship
I know
I know the name
I know the name of the
I know the name of the man responsible
I know the name of the man responsible for the
I know the name of the man responsible for the injustices
I know the name of the man responsible for the injustices. It is...
I know the name of the man responsible for the injustices
I know the name of the man responsible for the
I know the name of the man responsible
I know the name of the
I know the name
I know.
I know
I know the name
I know the name of the
I know the name of the man responsible
I know the name of the man responsible for the
I know the name of the man responsible for the injustices
I know the name of the man responsible for the injustices. It is...
I know the name of the man responsible for the injustices
I know the name of the man responsible for the
I know the name of the man responsible
I know the name of the
I know the name
I know.
Wednesday, May 30, 2007
CARNAVAL Y DESPEDIDA

CARNAVAL Y DESPEDIDA
Hasta aquí llega el carnaval de la risa
A dejar un sabor único en la boca
En la garganta nos queda este recuerdo
Y en la memoria un lamento como éste
Llegan al centro del último escenario
Adornado con sombreros brillantes de colores
Los invitados a la fuerza van pasando
A presenciar las fieras del descanso
Los carruseles , payasos y sus disfraces
A lo lejos de oyen risas en la noche
Trompetas trombones y maquinas
Entremedio de castañeo de mandíbulas
Al medio de la pista de la muerte
Un maestro que se rie silencioso
Abre de golpe la cortina a esta escena
Donde bailan apretados dos enanos.
La mujer barbuda se revuelca
Esquivando enormes cuchillos cocineros
En ese instante un hombre largo, flaco y de sombrero
Golpea un inmenso martillo sobre la mesa.
Trapecista que no tienen cuerda de colgar
Enanos que no dicen una palabra
Adefesios humanos a la rastra
Que pasan por este lugar.
La tarde cae, cae, sin demora
Y se oye a lo lejos una orquesta
Tocar una marcha triste y despedir
A la fiera del circo que se marcha.
Hasta aquí llega el carnaval de la risa
A dejar un sabor único en la boca
En la garganta nos queda este recuerdo
Y en la memoria un lamento como éste
Llegan al centro del último escenario
Adornado con sombreros brillantes de colores
Los invitados a la fuerza van pasando
A presenciar las fieras del descanso
Los carruseles , payasos y sus disfraces
A lo lejos de oyen risas en la noche
Trompetas trombones y maquinas
Entremedio de castañeo de mandíbulas
Al medio de la pista de la muerte
Un maestro que se rie silencioso
Abre de golpe la cortina a esta escena
Donde bailan apretados dos enanos.
La mujer barbuda se revuelca
Esquivando enormes cuchillos cocineros
En ese instante un hombre largo, flaco y de sombrero
Golpea un inmenso martillo sobre la mesa.
Trapecista que no tienen cuerda de colgar
Enanos que no dicen una palabra
Adefesios humanos a la rastra
Que pasan por este lugar.
La tarde cae, cae, sin demora
Y se oye a lo lejos una orquesta
Tocar una marcha triste y despedir
A la fiera del circo que se marcha.
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